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A slight departure from my usual, very traditional instruments. This was a commission, and the customer had a number of ideas that he wanted incorporated into his guitar. Amongst these were a 22 fret fingerboard, also with a zero fret. This called for a different approach to the soundhole, which is elliptical in shape, and…
Making a Traditional Classical Guitar Rosette The traditional classical rosette consists of a number of components inlaid into the soundboard around the soundhole. The rosette in the image below has a central “end grain” pattern, a number of veneer lines, and two lines of half-herringbone (or rope). Some luthiers construct the whole rosette on…
I spent last weekend in Birmingham at the Royal Birmingham Conservatoire Guitar Festival hosted by Mark Ashford. The event combined concerts, masterclasses and workshops, and I took two guitars to exhibit, and a handful of students from Newark College, who had their own stand to exhibit their guitars and promote the guitar making course at…
Now that the new year has arrived, my thoughts turn to what exhibitions I will be attending this year. Actually, I’ve been thinking about this for several months now, and in particular, what my exhibition guitar will be this year. In recent years there has been an increasing amount of interest in shorter scale length…
Some stuff about tonewoods… What is a tonewood? A tonewood is any timber that has appropriate acoustic properties for musical instrument making. In terms of tonewoods, by far the most critical part of a guitar is the top (soundboard). There are a number of properties that a good tonewood should have. It should be stable…
What are struts (braces)? The struts are lengths of wood glued to the inside of the top (soundboard), which act to support the top against the tension of the strings, and to control the overall sound that the guitar produces. They are usually made of the same material as the top, although often cedar…
Just returned from the West Dean Guitar Festival. Had an enjoyable time as always, much of it spent chatting to other luthiers! Highlights were mostly provided by the great Pavel Steidl, who gave a wonderful performance on the Saturday evening, and then tried one of my guitars at the exhibition (a spruce/rosewood guitar), and was…
Travelling to Belgium for the Cordefactum Guitar Festival this weekend. I will have 2 guitars with me – one spruce/Indian rosewood, and the other is an all non-tropical woods guitar (walnut/spruce), photo below. I’m also happy to say that Marcin Dylla will be playing the spruce/maple guitar he has on loan in the Saturday evening concert. James
The Classical Guitar Magazine article mentioned in a previous post is now available online. You can see it here: http://classicalguitarmagazine.com/fretwork-luthier-james-lister-blends-old-and-new-approaches/ Online version of my interview with Classical Guitar Magazine now available… https://t.co/EL5pruQTf5 — James Lister (@JListerGuitars) November 5, 2016
An increasingly popular feature on my guitars (and others) is the armrest. Armrests serve two functions – firstly they improve playing comfort for the player, by providing a smoothly curved surface for the right arm to rest on, rather than the edge of the guitar, which is usually only very slightly rounded or beveled. The…